A few years ago, when I was still in art school, I made a lithograph titled "The Evolution of Flight." It ties in to some stories and comics and books and artefacts I've been working on which will all come together in something bigger once I figure out what shape I want it to take.
But anyway, what's relevant for this blog is that I used bones in it. The print -- as you can see from the image -- is multiple layers of stuff. For those interested, I started with three runs from a litho stone, altering it each time with etching and sanding (that's the wing shape that dominates the image from far away). Then I added two separate runs from aluminum photoplates, made from my own drawings (or handwriting, in the case of the brown layer). One of those plates is a sort of comparative anatomy diagram, which came to mind when I was writing up the book review in my last post.
The image shows four skeletal limbs. The first is a bird:
The next is bat:
Then, of course, human, because this is the evolution of human flight:
And the final one is not from an animal but a flying machine (of my own silly invention) called a pterothopter.
In retrospect, I should also have included a pterosaur wing, though the pterpthopter is acutally named for Pteropus, the genus of bats called "flying foxes" and not for the pterosaurs. Still, it would have been a good thing to have.
The handwriting, incidentally, is bits of a story about a made scientist character who decided to create flying humans. She intended to do so through a combination of selective breeding and prosthetic surgery, but eventually gave up to work on flying machines with human pilots instead (and her neighbours breathed a sigh of relief).
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