It ain't no sin to take off your skin and dance around in your bones. Or to study the bones of other creatures. That's fun.
Friday, May 18, 2012
I am the Skeleton in my Closet
A second little update tidbit: I've started working (well, so far just in my head) on a bestiary that will be illustrated with skeletons. It'll be a fine-press, hand-printed and hand-bound thing and I hope to get started on a test illustration this weekend. You can read more about that on my art/writing/living in the woods blog Anagram for Ink.
Other than that, I am full of ideas and projects and things-to-do. I have a few more great resources to blog about and link, some books to review, and I really want to do some drawings of raven bones. In other words, I'm too busy for my own good.
Thursday, June 23, 2011
"Bones With Bling" in Fortean Times
I'm not likely to link to Fortean Times very often, but this is an interesting piece about a forgotten part of Catholic Christian history, when supposedly psychic priests would "discover" the bones of saints and martyrs which would then be lavishly decorated as relics. Of course, many of the skeletons had probably belonged to ordinary people--even pagans--but more saintly relics meant greater prestige for the Church and could mean increasing attendance (and therefore wealth) at smaller churches.
Whether these bones belonged to holy people or ordinary people, they certainly make beautiful displays.
Saturday, March 26, 2011
Bone Art: The Evolution of Flight
But anyway, what's relevant for this blog is that I used bones in it. The print -- as you can see from the image -- is multiple layers of stuff. For those interested, I started with three runs from a litho stone, altering it each time with etching and sanding (that's the wing shape that dominates the image from far away). Then I added two separate runs from aluminum photoplates, made from my own drawings (or handwriting, in the case of the brown layer). One of those plates is a sort of comparative anatomy diagram, which came to mind when I was writing up the book review in my last post.
The image shows four skeletal limbs. The first is a bird:
The next is bat:
Then, of course, human, because this is the evolution of human flight:
And the final one is not from an animal but a flying machine (of my own silly invention) called a pterothopter.
In retrospect, I should also have included a pterosaur wing, though the pterpthopter is acutally named for Pteropus, the genus of bats called "flying foxes" and not for the pterosaurs. Still, it would have been a good thing to have.
The handwriting, incidentally, is bits of a story about a made scientist character who decided to create flying humans. She intended to do so through a combination of selective breeding and prosthetic surgery, but eventually gave up to work on flying machines with human pilots instead (and her neighbours breathed a sigh of relief).
Wednesday, March 31, 2010
And Now for Something Completely Different
OK, it's not a flying circus, but it is a sideshow.
Lately, I've been working on improving my illustration skills by making ATCs or Artist Trading Cards. It's fun to make little art and trade it with other folks, and themed swaps make me stretch myself to see what I can come up with to fit. But what, you may ask, does any of this have to do with bones? Well, I haven't posted here recently (though I'm going to aim for at least one post a week from here on), as I've been busy with art and writing and various other things. But this past week I had a chance to draw some bones for an ATC swap.
So, without further ado, may I present A Scientific Study of Sideshow Freaks through their Skeletal Anatomy (which is, of course, not scientific at all--though it would be fun to re-do them as Victorian-esque scientific drawings, come to think of it).
Exhibit 1: The Rat-Tailed Boy
Exhibit 2: The Two-Headed Man
Exhibit 3: The Three-Legged Woman
Exhibit 4: The "Mermaid"
Next post, I promise to get back to the more serious business of bone study.




